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In Brooklyn, Frederick Tang Architecture realizes a color-saturated interior for a new Lebanese restaurant

Arches Plus Curves

In Brooklyn, Frederick Tang Architecture realizes a color-saturated interior for a new Lebanese restaurant

Frederick Tang Architecture helmed the design of Nabila's, a Lebanese restaurant in Cobble Hill, Brooklyn. (Gieves Anderson)

On a coolish summer evening, the accordion doors are folded open out front atNabila’s, a new Lebaneserestauranton Court Street inBrooklyn。食客被准备好的食物和充满活力的内部装饰,在柜台排队以订购,然后扎住桌子,等待他们的选择。按照预期的方式,该地点重新配置了1886年建造的安妮女王式结构的一楼,迅速成为一个鹅卵石聚会区,该区域堆满了附近的居民,婴儿和狗。

Nabila’s is the first restaurant venture for co-owner Mike Farah. His mother is its namesake; she grew up in Lebanon and currently operates a catering company in Washington, D.C. (Farah previously worked in finance before pursuing this project.) To realize an inviting space, Farah turned to Frederick Tang Architecture (FTA), a ten-person architecture and design studio based in the nearby Gowanus neighborhood.

外啊f a corner neighborhood restaurant in cobble hill brooklyn
(Gieves Anderson)
interior of a intimate restaurant with chandelier and table seating
(Gieves Anderson)

FTA’s design takes inspiration from the colors of Lebanese cuisine and the formal precedents of Middle Eastern architecture. Deep colors—purple, dark green, and brown—saturate the space, a move balanced by the brass fixtures, white-painted ceilings, light Hay chairs, and white oak millwork. The wood spines and arches carve the floorplan into zones and niches, respectively, while a glass-block wall screens a prep area. Beyond the main front room, a handsome back dining room is imagined as an event space, with an original chandelier restored by FTA. (Bathrooms and additional kitchen space are downstairs.) Curves abound at varying scales, from the display shelf to the Caesarstone counter, filleted corners, fish scale– tile backsplash, scalloped vertical paneling, and the fluted glassware. The restaurant’s matriarchal mission is supported by finishes designed by women. Kelly Wearstler designed the volcanic glass pendants, the floor tiles are by Iranian-French architect India Mahdavi, and booths are upholstered in a fabric by Hella Jongerius for Maharam with an appropriate name: Eden.

Outside, FTA painted the exterior black and added two green awnings. These fabric shades sport the restaurant’s name, rendered in swooping handwriting. FTA also handled branding efforts for Nabila’s, including this logo and food packaging.

interior of a natural light-filled restaurant with blonde flooring
(Gieves Anderson)
舒适的餐厅的内部,绿色和白色瓷砖地板
(Gieves Anderson)

Farah wanted the restaurant to be in his neighborhood, so the team toured over 20 locations with him before finding the right venue. Frederick Tang reflected that FTA was “thrilled when Mike chose this space, as it was an exciting opportunity to design in a prominent corner building with beautiful light and great bones.”

The space and the culinary effort feel united and welcoming. Once one is seated, tasty plates appear: a smoky baba ghanoush, tender eggplant with pomegranate seeds, a crunchy-but-moist fattoush, and a savory wedge of vegetarian kibbeh sanieh. With this menu elevated by FTA’s careful design work, Nabila’s is poised for success.

counter with middle eastern food beneath a case
(Gieves Anderson)

Nabila’s
248 Court Street Brooklyn, NY 347-689-9504 nabilasbk.com

Design: Frederick Tang Architecture

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