What if, when on hisGrand Tour，约翰·索恩（John Soane）不是去意大利，而是去西非？如果他没有去威尼斯而去拉各斯怎么办？

This was the question Dingle Price, co-founder of London studioPricegore, posed when pitching the idea for a pavilion adjacent to theDulwich图片库，最古老的专用画廊England, designed by Soane. The result is The Colour Palace, a gloriously colorful timber structure that nestles between Soane’s 202-year-old building and a residential street.

Price和其他价格共同创始人Alex Gore不会来自西非。这样的灵感来自艺术家和设计师Yinka Ilori, who collaborated with the studio for the project.

伊洛里（Ilori）现在总部位于伦敦，在拉各斯（Lagos）的市场上挖掘了他的成长。伊洛里告诉AN.“销售面料，颜色无处不在。”

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Colour Palace Inspiration : This image was part of my early inspiration and mood board when working on the Colour Palace in collaboration with PriceGore. Loved how the shop owners had beautiful curated and designed their shop, as if it was a mini Dutch wax pavilion @dulwichgallery @londonfestivalofarchitecture

A post shared byYINKA ILORI STUDIO(@yinka_ilori) onMay 25, 2019 at 10:20am PDT

And at the new pavilion, color is indeed everywhere. When approaching it, hints of a cacophony of color can be spied: pink tips pop out above the park’s perimeter wall; beyond the trees, glimpses of blue and red can be seen through the green.

仔细检查显示，薄薄的，长方体的木材百叶窗（有2100多个）涂成绿色，黄色，蓝色，粉红色，红色和橙色。结果使外墙从外部闪烁，在此过程中融合了不同的音调。三角形和圆圈（在伊洛里（Ilori）作为家具设计师的作品中盛行的Motifs（Motifs）在外面绘制，使凉亭看起来像派对帽。有一种充满乐趣的感觉。

But the kaleidoscopic baptism doesn’t end there. The giant party hat sits on four five-and-a-half-feet-wide bright red concrete columns—unpolished and raw, they rise up from the earth. A pink elevated walkway traces the structure’s perimeter, and a blue timber internal support structure keeps it all up.

普莱斯解释说：“我们的工作非常以欧元为中心，Yinka的工作非常西非。”“我们想混合两者。”伊洛里（Ilori）和普莱斯特（Price）绘制了两个先例：一幅男性在西非携带茅草屋顶的人，以及雅典的雅氏菌（Caryatids）支持帕台农神庙（Parthenon）的纳入。

“Building in landscape, we wanted to lift the structure off the ground and retain the open sense of a garden,” added Gore.

The pavilion, with its 1,560-square-foot base, is open on all four sides. Circles and triangles may adorn the exterior, but the square was most important to Pricegore, who deemed the shape essential to maintaining the structure’s relationship to the adjacent Soane-designed gallery. Soane used a strict orthogonal regime to conceive thegallery’s plan. So, too, has Pricegore, although the firm has offset the pavilion 45 degrees to the gallery to create a more welcoming dialog to visitors, allowing the various colors of the louvers to gradually change upon approach.

戈尔继续说：“每个人都可以访问凉亭。孩子可以像艺术评论家一样享受这一点。”

颜色宫is the result of a partnership between the Dulwich Picture Gallery and the伦敦建筑节. The pavilion is open to the public until September 22, 2019.