在展览中MetrophySics.，纽约为基础迈克尔索尔文工作室和terreform.（苏尔辛赫拉姆带来的生态未来主义色彩的城市设计自己的投资组合，以建筑洛杉矶的南加州理工学院（sci-asc） 在洛杉矶展示了多年来宣传了共生建筑集团集体产量的蔓延回顾。

The work presented by Sorkin and Terreform—the latter of which is a 501(c)3 established in 2005 as a self-described “ ‘friend of the court’ dedicated to raising urban expectations and advocating for innovative and progressive ideas as widely as possible”—traces a broad stylistic and conceptual arc across time spanning from the mid-1990s through today. That arc hewed closely to the always-shifting focus of other ecologically-minded architectural firms: From dramatic landscape design in the 1990s to embodying technologically-derived formalism in the early 2000s and, more recently, a hybrid between the two.

如果没有格式的展，显示整齐和半按时间顺序沿一系列设置顶上木锯木架安装的显示器板，目的之一为夸大的内容。所收集的方案理想化生态乌托邦的后板设有板。一些被描绘与卡济马列维奇启发几何抽象，青翠，照片般逼真的洗眼，或作为技术 - 未来学家流体建筑。

据该公司的网站，工作的身体作为Terreform的隐喻延伸正在进行的项目，纽约市（稳定）州那“对城市自给自足的全面调查......旨在为世界各地的城市提出问题并提出解决方案，以便采取激进措施，以确保其呼吸和自主权，并在当地成立的更可持续的民主政权。”

结果，所提供的每个项目都使用潜在的概念纽约市（稳定）州推测在其他语言环境生态意识的城市化的潜力。作品试图通过融合的生态，参数化设计与老派的新都市主义催生了自然的几何形状灌输他们与宇宙学意义感的建筑。

New York City is, in fact, featured heavily across the collected projects, with a thoughtful and dramatically rendered vision for a transit hub in the Bronx from 2002 and the firm’s proposal for a temporary enclosure for the rubble at the former World Trade Center site from 2001 providing eloquent and compelling visions that stand somewhat outside some of the exhibition’s more general themes.

ex nihilo东亚城镇和商业区亦在工作集合中突出特色，与槟城峰从2004年开始的项目（一个马蹄形簇的蘑菇形塔围绕着水体），有中国特色的摩天大楼（一个探索，将Sorkin的“学者岩石”集合翻译成高层建筑物），和一个生态高尔夫度假村从2014年开始澳大利亚最佳展示公司的能力生成一种基于上下文，生态驱动的形式主义。

Central to the groups’ experiments are several notions due to be tested in coming years, namely that cities are in fact resilient and nimble democratic systems that can countenance the ever-growing list of maladies they face, including climate change, growing income disparities, and the ever-increasing flow of antiseptic global capital. Sorkin’s team implies with its research that both new and existing cities have the potential to overcome these stresses, but only if thoughtfully and ecologically designed. This will certainly be a challenge as a new era of incompetent authoritarianism takes hold globally.

Terreform在Sci-arc的展示，具有广泛的风格地幔和批判性的城市方法，有可能为过渡和城市寻找新的道德指南针注入一剂吸引力。仅限绘画风格的聚宝盆应为当前一代渴望渴望切割和粘贴朝向新的正式表达模式的富有肥沃的学生提供肥沃的地面。

虽然有问题的作品中的代表性技术，沉吟道，并认为气泡方面差别很大，索尔金的注重细节的视线保持一致，是否涉及代表绘制到该公司的布朗克斯运输计划或的Technicolor的景观鸽子微小的白色缎带杂草，亚利桑那州项目。

展览结束后的问题 - 是SCI-arc学生是否会受到技术生态学的启发，以及在城市规模上设计到设计生态驱动的城市主义的转型可能看起来像向前发展。

-

MetrophySics.
SCI弧画廊
960东第3街
洛杉矶，加州90013
通过12月4日